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A Celebration of the Human Spirit - Japanese-American Relocation Camps in AZ
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  • All fields: Arts
(5691 results)



Display: 20

    • Screening through cupped hands

    • Screening through cupped hands

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Gathering and screening dark sand (not silica) in wash, one mile north of Angea's home.
    • Communal cooking area

    • Communal cooking area

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • The fire burning in the foreground is in the communal cooking area in South Hickiwan. The fire is to set the black design painted on with mesquite bark juice. Rupert paints under the ramada.
    • Working under the ramada

    • Working under the ramada

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Rupert working under the ramada. The hill with clay deposits is in the background.
    • Blackening of the rim

    • Blackening of the rim

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Rupert blackens the rim of the pot using his finger to apply the paint.
    • Painting a quail

    • Painting a quail

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Rupert is getting tired. He paints a quail on the last pot because it will go fast. He is painting with the mesquite bark juice.
    • Pressing the three batches of clay together

    • Pressing the three batches of clay together

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Rupert presses the three batches of clay together and throws the amassed clay on the table several times.
    • Measuring to space the three quails

    • Measuring to space the three quails

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Rupert uses his brush to measure across the rim to space the 3 quails.
    • Finishing the quail

    • Finishing the quail

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Rupert is getting tired. He paints a quail on the last pot because it will go fast. He is painting with the mesquite bark juice.
    • Painting another quail

    • Painting another quail

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Painting black design of quails.
    • Continuing to paddle the wall

    • Continuing to paddle the wall

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Rupert holds the vessel with one hand and paddles the wall.
    • Use of finger to blacken rim

    • Use of finger to blacken rim

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Rupert uses his finger to blacken the rim of the pot.
    • Darkening of the black paint

    • Darkening of the black paint

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Darkening the black design on the hot coals.
    • Only one side has been darkened

    • Only one side has been darkened

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Note that the design on the side toward the camera has not blackened yet. The design is still uneven and brown with the brush strokes visible.
    • Rotating the pot in the coals

    • Rotating the pot in the coals

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Rupert rotates each pot in the hot coals every 10 seconds.

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