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All Collections
  • All fields: Corps--Art
(358 results)



Display: 20

    • Getting Ready

    • Getting Ready
    • Grow, CWO2 Charles (USMC)
    • United States. Marine Corps--Art collections. United States. Marine Corps. Combat Art Program. Haiti--History--American intervention, 1994-1995. United States. Marine Corps. Marine Regiment, 2nd. Battalion, 2nd.
    • A Marine checks the edge on his bayonet prior to crowd control duty in Haiti during Operation Uphold Democracy.
    • Repulse of the Highlanders, New Orleans, 8 January 1815

    • Repulse of the Highlanders, New Orleans, 8 January 1815
    • Waterhouse, Charles H.
    • United States. Marine Corps -- History. United States. Marine Corps--Art collections. United States. Marine Corps--History--War of 1812.
    • The biggest American victory of the War of 1812 came at the tail end of the conflict after then Major General (later President) Andrew Jackson chose a battleground eminently in his favor. Jackson's forces included a 56 Marine detachment under...
    • Marines at the Great Guns, Off Tripoli, 3 August 1804

    • Marines at the Great Guns, Off Tripoli, 3 August 1804
    • Waterhouse, Charles H.
    • United States. Marine Corps -- History. United States. Marine Corps--Art collections. United States. Marine Corps--History--Tripolitan War, 1801-1805.
    • Marines, minus their coats and muskets, are shown manning a 24 pounder aboard the "Constitution." This action was a part of Captain Edward Preble's assault on Tripoli in response to the Bashaw of Tripoli's demands for $10,000 to leave American...
    • The Assault on Derna, Tripoli, 27 April 1805

    • The Assault on Derna, Tripoli, 27 April 1805
    • Waterhouse, Charles H.
    • United States. Marine Corps -- History. United States. Marine Corps--Art collections. United States. Marine Corps--History--Tripolitan War, 1801-1805.
    • This scene depicts the charge of an "American" force into the town of Derna. Navy Agent William Eaton led roughly 400 men, mostly Greek mercenaries and Bedouin horsemen into action against the Tripolitan city, as well as 7 Marines and a midshipman...
    • Parley at Nukuhiva, Marquesas Islands, 8 January 1814

    • Parley at Nukuhiva, Marquesas Islands, 8 January 1814
    • Waterhouse, Charles H.
    • United States. Marine Corps -- History. United States. Marine Corps--Art collections. United States. Marine Corps--History--War of 1812.
    • This scene shows Marine Lieutenant John M. Gamble speaking to a Nukuhivan man, who has arrived to tell him the tribe in the next bay is at war again. Gamble had been left behind with several prize ships and prisoners by Captain David Porter with...
    • Shipbuilding at Sackets Harbor, New York, 11 January 1814

    • Shipbuilding at Sackets Harbor, New York, 11 January 1814
    • Waterhouse, Charles H.
    • United States. Marine Corps -- History. United States. Marine Corps--Art collections. United States. Marine Corps--History--War of 1812.
    • In the lower righthand corner, the head shipwright Henry Eckford, Naval Commandant William Crane, and Marine Captain Richard Smith look over the largely finished brig "Jefferson" on the shores of Lake Ontario. The keels of the brig "Jones" and the...
    • The Final Stand at Bladensburg, Maryland, 24 August 1814

    • The Final Stand at Bladensburg, Maryland, 24 August 1814
    • Waterhouse, Charles H.
    • United States. Marine Corps -- History. United States. Marine Corps--Art collections. United States. Marine Corps--History--War of 1812.
    • This scene depicts the early part of the Battle of Bladensburg, with Marine Captain Samuel Miller standing between 2 of the 12 pound field guns as they fired on the advancing 85th Foot. While the Marines detachment and Naval flotillamen initially...
    • U.S. Marine Corps Combat Art Prints, 2006

    • U.S. Marine Corps Combat Art Prints, 2006
    • Gardner, Donald R.
    • United States. Marine Corps--Art collections. United States. Marine Corps. Combat Art Program.
    • This single page guide is written by the president of the Marine Corps University and details the history and purpose of the Marine Corps Combat Art Program.
    • LAV on Patrol

    • LAV on Patrol
    • Gish, Col. Peter (USCMR)
    • United States. Marine Corps--Art collections. United States. Marine Corps. Combat Art Program. United States. Marine Corps. Marine Expeditionary Unit, 15th. Operation Restore Hope, 1992-1993. Mogadishu (Somalia).
    • Col. Gish depicts a light armored vehicle (LAV) of the 15th Marine Expeditionary Unit in Mogadishu, Somalia.
    • Guard Tower at Camp Commando

    • Guard Tower at Camp Commando
    • Carillo, Sgt. Jack (USMC)
    • United States. Marine Corps--Art collections. United States. Marine Corps. Combat Art Program. United States. Marine Expeditionary Force, 1st.
    • A female Marine stands watch in a guard tower at Camp Commando in Kuwait.
    • Preventative Medicine

    • Preventative Medicine
    • Gish, Col. Peter (USCMR)
    • United States. Marine Corps--Art collections. United States. Marine Corps. Combat Art Program. United States. Marine Corps. Marine Expeditionary Unit, 15th. Mogadishu (Somalia). Operation Restore Hope, 1992-1993.
    • A Marine sniper provides cover during a raid.
    • Arms Seized at Bakara Market

    • Arms Seized at Bakara Market
    • Gish, Col. Peter (USCMR)
    • United States. Marine Corps--Art collections. United States. Marine Corps. Combat Art Program. Operation Restore Hope, 1992-1993. United States. Marine Corps. Marine Expeditionary Unit, 15th. Mogadishu (Somalia).
    • A Marine guards a cache of seized weapons at Bakara Market.
    • AV-8 Readied for a Sortie

    • AV-8 Readied for a Sortie
    • McConnell, Lt. Col. Keith (USCMR)
    • United States. Marine Corps--Art collections. United States. Marine Corps. Combat Art Program. Harrier II (Jet attack plane). Persian Gulf War, 1991--Aerial operations, American.
    • Marine aviation maintenance technicians ready a Harrier for a mission during Operation Desert Storm.
    • Patrol Base, Afghanistan

    • Patrol Base, Afghanistan
    • Fay, SSgt. Michael (USMCR)
    • United States. Marine Corps--Art collections. United States. Marine Corps. Combat Art Program. United States. Marine Corps. Marine Regiment, 3rd. Afghan War, 2001-.
    • Two Marines take up a defensive position in a ditch near a patrol base. A SAW (Squad Automatic Weapon) is deployed on the left side of the ditch.
    • Setting Trip Flares

    • Setting Trip Flares
    • Fay, SSgt Michael (USMCR)
    • United States. Marine Corps--Art collections. United States. Marine Corps. Combat Art Program. United States. Marine Corps. Marine Expeditionary Unit, Special Operations Capable, 26th. Kandahār (Afghanistan).
    • Marines set up defenses on their perimeter at Kandahar International Airport.
    • Helping Hands, Cap-Haitian

    • Helping Hands, Cap-Haitian
    • Grow, CWO2 Charles (USMC)
    • United States. Marine Corps--Art collections. United States. Marine Corps. Combat Art Program. United States. Marine Corps. Marine Regiment, 2nd. Battalion, 2nd. Haiti--History--American intervention, 1994-1995.
    • A Marine corpsman, Hospitalman Third Class R.R. "Doc" Coyle, carries an elderly woman to her home. "Doc" is both a common nickname and sign of respect for corpsman.
    • Tragic Monument

    • Tragic Monument
    • Dyer, Maj. Jack (USMCR)
    • United States. Marine Corps--Art collections. United States. Marine Corps. Combat Art Program. United States Marine Compound Bombing, Beirut, Lebanon, 1983
    • The rubble that marks the remains of the Marine Corps Compound attacked in the Beirut Bombing.
    • Harriers Fire the Trenches

    • Harriers Fire the Trenches
    • Chenoweth, Col. H. Avery (USMCR)
    • United States. Marine Corps--Art collections. United States. Marine Corps. Combat Art Program. Persian Gulf War, 1991. Persian Gulf War, 1991--Aerial operations, American. Harrier II (Jet attack plane).
    • A Marine Harrier drops napalm on oil filled trenches during Operation Desert Storm.
    • The Two Hands

    • The Two Hands
    • Fay, SSgt. Michael (USMCR)
    • United States. Marine Corps--Art collections. United States. Marine Corps. Combat Art Program. United States. Marine Corps. Marine Regiment, 4th. Battalion, 1st. Ḥillah (Iraq).
    • Two Marines interview an Iraqi elder and his son at the beginning of a raid.
    • Raid Outside of Yusifiya [Iraq]

    • Raid Outside of Yusifiya [Iraq]
    • Fay, SSgt. Michael (USMCR)
    • United States. Marine Corps--Art collections. United States. Marine Corps. Combat Art Program. United States. Marine Corps. Marine Regiment, 4th. Battalion, 1st. Company C.
    • A Marine checks a corner during a raid.

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