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  • All fields: Indian
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Display: 20

    • Two pots

    • Two pots

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Two finished pots.
    • Use of paint brush

    • Use of paint brush

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Rupert uses a commercial water color brush. He breaks off the handle and wraps it with a strip of cloth to make the kind of handle he likes.
    • Pot in hot coals

    • Pot in hot coals

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Note that the top of this pot has not been blackened.
    • Finished pot

    • Finished pot

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Pot after black design has been blackened in hot coals.
    • Placing pot in hot coals

    • Placing pot in hot coals

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Rupert puts pot in hot coals.
    • Creating the first coil

    • Creating the first coil

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Rolling the first coil.
    • Rotating the last pot in the coals

    • Rotating the last pot in the coals

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Rupert rotates last pot in hot coals. The pots in front have been blackened already.
    • The finished pots

    • The finished pots

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • The 4 polychrome pots, that Rupert Angea made June 3-6, 1980, for the Arizona State Museum.
    • The Potter, Rupert Angea

    • The Potter, Rupert Angea

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Rupert Angea. His mother taught him to make pottery when he was 12 years old. She was taught by her mother, Constance, in KaKa Village. They always used to make white pottery, but Rupert added the red about 7 years ago. His mother now only...
    • Polishing the paint

    • Polishing the paint

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • As soon as the red pigment dries, Rupert polishes it with a stone to make it shiny. He polishes it before it is completely dry. He must be careful not to rub any of it onto the white clay.
    • Removing mesquite bark

    • Removing mesquite bark

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Rupert gathering a handful of blackened mesquite bark to make black paint.
    • Gathering mesquite bark

    • Gathering mesquite bark

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Mesquite tree in fields east of houses. Fields now unused because of lack of rain. Rupert gathering bark.
    • Uncovering the oven

    • Uncovering the oven

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Rupert uncovering the fire in which he fired 3 pots that day. Because of the wind he decided to leave the pots covered until the next day.
    • Removing the metal windshields

    • Removing the metal windshields

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Rupert uncovering the fire in which he fired 3 pots that day. Because of the wind he decided to leave the pots covered until the next day.

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