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Display: 20

    • Rough polishing of the vessel

    • Rough polishing of the vessel

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Rough polishing while vessel is still wet. Rough polishing is done in no particular direction and is done in a fast motion over the wet clay.
    • Gathering white clay

    • Gathering white clay

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Rupert Angea gathering white clay behind his house 6-3-80.
    • Rough polishing of the pot

    • Rough polishing of the pot

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Rough polishing while vessel is still wet. Rough polishing is done in no particular direction and is done in a fast motion over the wet clay.
    • Examining the rim

    • Examining the rim

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Forming the neck and rim.
    • Pottery-making implements

    • Pottery-making implements

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Pottery-making implements: supporting rings for pot, ashes in pot to prevent clay from sticking to base, base pot, wodden paddles, pail with water.
    • Brushing off the rim

    • Brushing off the rim

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Forming the neck and rim.
    • Making the rim even

    • Making the rim even

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • To make an even base, Rupert puts the newly formed pot on a wooden board and evens the rim.
    • Finishing the rim

    • Finishing the rim

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Rupert finishes the rim.
    • Starting the base

    • Starting the base

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Rupert takes part of the mixed clay, forming a ball and starts the base of the first pot.
    • Rough polishing the neck

    • Rough polishing the neck

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Rupert rough polishes the neck.
    • Breaking clay with rock

    • Breaking clay with rock

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Breaking up white clay with rock.
    • All the pots are drying

    • All the pots are drying

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • All the pots are set out to dry.
    • Preparing the hematite

    • Preparing the hematite

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Hematite pigment is used for the red design. Rupert sifts the hematitie through a piece of window screen.
    • Removing the larger pieces by hand

    • Removing the larger pieces by hand

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Rupert sifts the hematite by hand to remove the larger particles.
    • Sifting hematite by hand

    • Sifting hematite by hand

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Rupert sifts the hematite by hand to remove the larger particles.
    • Beginning of red design

    • Beginning of red design

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Beginning the red design on one of the undecorated pots. Rupert uses the brush to measure the distance between marks on the rim.

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