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A Celebration of the Human Spirit - Japanese-American Relocation Camps in AZ
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(4152 results)



Display: 20

    • Making the rim even

    • Making the rim even

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • To make an even base, Rupert puts the newly formed pot on a wooden board and evens the rim.
    • Finishing the rim

    • Finishing the rim

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Rupert finishes the rim.
    • Starting the base

    • Starting the base

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Rupert takes part of the mixed clay, forming a ball and starts the base of the first pot.
    • Rough polishing the neck

    • Rough polishing the neck

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Rupert rough polishes the neck.
    • Breaking clay with rock

    • Breaking clay with rock

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Breaking up white clay with rock.
    • All the pots are drying

    • All the pots are drying

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • All the pots are set out to dry.
    • Preparing the hematite

    • Preparing the hematite

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Hematite pigment is used for the red design. Rupert sifts the hematitie through a piece of window screen.
    • Removing the larger pieces by hand

    • Removing the larger pieces by hand

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Rupert sifts the hematite by hand to remove the larger particles.
    • Sifting hematite by hand

    • Sifting hematite by hand

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Rupert sifts the hematite by hand to remove the larger particles.
    • Beginning of red design

    • Beginning of red design

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Beginning the red design on one of the undecorated pots. Rupert uses the brush to measure the distance between marks on the rim.
    • First red line

    • First red line

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Making the first red line, starting below the neck.
    • Contemplating the design

    • Contemplating the design

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Contemplating the development of the design.
    • Fine pigment being separated

    • Fine pigment being separated

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • The dustlike pigment is separated from the larger particles to the right. The very fine pigment is swept back into the empty ceramic bowl.
    • Polishing the red step outline

    • Polishing the red step outline

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Polishing the red stepped outlines right after drying.
    • Filling in the red design

    • Filling in the red design

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Development of red design.
    • Polishing of filled in red step design

    • Polishing of filled in red step design

    • Teiwes, Helga

    • Ceramics; Tohono O'odham artists; Tohono O'odham pottery; Indian pottery

    • Polishing the red design right after it dries, making sure that the polishing stone does not rub any paint onto the white background.

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